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Josh Abbott Band Opens a Vein With the Extremely Personal Front Row Seat

Whether one is writing a song or simply listening, music is a cathartic tool. It helps you dig deep

into what troubles you and assists with closure and resolve. Josh Abbott Band’s Front Row Seat

is perhaps one of the finest examples of using music for such a release. Covering the entire

journey that Abbott and his now ex-wife shared from beginning to end not only lets him vent and

allow the listener access to such a vulnerable chapter in his life, but it’s also two-fold - providing

a gateway for others to use his music for their own reprieve.

The 16-track album flows like a play as it is broken up into five “Acts:” Act I (Exposition), Act II

(Incitation), Act III (Intimacy), Act IV (Dissolution) and Act V (Denouement), with the songs of

each act detailing the different phases of the relationship. Act I consists of the first three tracks

that, like the rest of the album, lyrically read like short chronological stories. In the upbeat

“While I’m Young,” Abbott sings about being carefree in college, spending his paycheck on fun

times with friends and the first time he sees his future spouse sitting alone at the bar. “I’ve Been

Known” shows that he’s already recognizing that he prefers to be in her company over others

and hopes she feels the same, and “Live It While You Got It,” throws caution to the wind

regarding their physical relationship.

Act II kicks off with “Wasn’t That Drunk,” the passion-filled duet with the amazingly talented

Carly Pearce. The vocals of Pearce and Abbott complement each other flawlessly, creating a

desire between them that is very believable, which is important not only for the song, but for this

Act as it’s the moment when love replaces the lust of Act I. In the song, the couple admits that

while they could hide their feelings under the cover of “it was the alcohol,” they no longer want

to as the feelings are real:

I know we were laughing, saying whatever happens

We can blame it on the wine when the sun comes up

If you’re thinking it’s because we were drinking

Well that don’t mean that it don’t mean much

‘Cause it did, and it does

The truth of it is – I wasn’t that drunk

The other two-thirds of Act II continue to build on the founding of love but musically stand out as

well. “Kiss You Good,” a fantastic song with an infectious beat, and “If It Makes You Feel Good,”

a slower ballad, are songs with strong vocals that have a great live feel, with plenty of

opportunities for the crowd to join in and sing along.

Act III continues to delve deeper as the two become one – the mental, emotional and physical

intimacy of just how much they are into each other. In “Crazy Things” Abbott confesses how

almost undeserving he is of this woman as she tells him how lucky she is to have him in her life,

yet such a belief seems ridiculous as he’s the lucky one. “Front Row Seat” is about being right

there while things happen to your other half. How everything that went on in her life, he was

lucky enough to witness it and be the closest witness after to her. “Kisses We Steal” shows the

physical intimacy of their relationship.

The downward spiral is presented in Act IV, with some of the most heart wrenching lyrics

perhaps ever written. “Born to Break Your Heart” is Abbott accepting the blame for the end of

the relationship. Electric slide guitar, acoustic guitar and banjo are heard in the background

while he practically speaks the lyrics, which adds to the sorrow:

I tried so hard to tell myself that you’d be all I need

But now that you can’t help the hurt

It’s best you let me leave

It ain’t your fault

I might’ve been born to break your heart

“Ghosts” is about being haunted by memories of the relationship, the good and the bad, the guilt

and missing her:

Goodbye is the hardest part

I was supposed to hold your heart

Like the grains of sand through my hands, it fell apart

The end of Act IV is “This Isn’t Easy (Her Song)” written from the view of Abbott’s ex. The idea

behind this track is very interesting not only from the album standpoint, but from a general life

standpoint. Anyone who has had their heart broken always wonders “Does she/he think of me?”

“Do they think about how I’m feeling?” This song provides a bit of a comfort knowing that there

are exes out there that do just that:

No I really don’t have time to talk to you

And how dare you even ask me after all the hell you put me through

And I never said, I never said this wouldn’t be hard

And this time I’ve gotta guard my heart

A short spoken word, “A Loss of Memory” opens Act V before the deep, gut hitting “Amnesia,”

which was the lead single of the album. In life there will always be someone that you wish you

could just completely eras from your memories, and Abbott sings this with such conviction and

in a very brutally honest way:

If I had amnesia

I wouldn’t know how much I need ya

And I wouldn’t have to see ya every night

When I turn out the lights and close my eyes

Wouldn’t have to forget you

Or even know I’d ever met you

I wouldn’t have to regret you

Or let you wreck me one more time

During the season of Autumn, trees shed their leaves in order for new ones to grow in the

spring, which makes it a very appropriate song title for the second to last track. It discusses how

his ex will turn over a new leaf, find new love, and never to look back. But Abbott says so with

some relief, as if he’s come to terms with what has happened and as shown in the last track,

“Anonymity,” it looks as though he too will be able to move on.

While the lyrics and storytelling are the front and center of this album, the instrumentation

cannot go without a shout out. Supporting Abbott, who also plays guitar, are amazing band

members Austin Davis (banjo), Preston Wait (fiddle, guitar), James Hertless (bass guitar) Caleb

Keeter (guitar) and Edward Villanueva (drums).

Front Row Seat is nothing short of a masterpiece in storytelling. Each song tells another part of

this heartbreaking story – a story with a universal plot that allows the listener to connect with

his/her own experience, fulfilling the catharsis for both artist and fan.

Thank you, Josh Abbott, for letting us in to such a private part of your life. Front Row Seat is now available on all outlets and be sure to catch Josh Abbot Band on the road. Make sure to check out http://www.joshabbottband.com/wp/ for more information.

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